The
Woman of the River has lifeblood and energy running out of her vessel, themes
and colors that continue through the rest of the piece. She is covered in flowers,
and she feeds spiritual energy to the community. Discussions during early meetings
with the Anita community inspired this figure from tales told of the neighborhood.
The artists wanted to take these stories and imbed them in the history of the
neighborhood. The water and blood that flow through the piece are the synergy
that weaves the entire piece together, giving it symmetry. The model for this
particular figure was the granddaughter of one of the Orie Tigers baseball
league.
Rio
Santa Cruz. This river was once a part of the neighborhood prior to the construction
of Interstate 10. Water played an important role in the daily lives of the
people of this community. There was once an irrigation ditch that ran through
and under some of the homes here, and people from the neighborhood used to
swim in it to cool off.
Dr.
Laura Banks. Banks grew up in the neighborhood during the mid 20th century.
At the time there was a greater African American population in Anita. She had
to drop out of high school at one point but managed to go back and finish and
she then continued on to the University of Arizona. She received a degree in
education and then worked at Davis School. In 1980, she was selected as the
first African American Assistant Superintendent in TUSD and retired from that
position in 1982. Dr. Banks was also a prominent civil-rights leader in Tucson.
Today there is a Tucson middle school named after her.
Davis
School. This image shows the students of the past and present running in front
of the historic building.
Mr.
Alfredo Valenzuela. “Mr. V” taught mariachi band courses at Davis
School for over 25 years and still continues despite his retirement. He has
inspired hundreds of student and professional musicians. His students carried
the mariachi tradition throughout the community, and this is visually represented
with the lifeblood pouring through his guitar, where it gains energy and continues
through the mural.
The
Heart and Hands. This central image in the mural is the visual representation
of the community. The hands are supporting a glass heart, again adding to the
overall symmetry of the piece. The blood and water that run through the piece
converge on the heart, the community, as an essential part of the circulation
of Barrio Anita.
Oury
Park (now David Herrera & Ramon Quiroz Park). This image features the Rosas,
the neighborhood’s women’s softball team, on the left, and the
Tigers, the men’s baseball league, with David Herrera as the central
figure. Herrera served as director of the Recreation Center in Barrio Anita
and played an essential role in getting the neighborhood involved in sports
and community outreach. Alisa Cortez sits on his shoulder, representing the
current rec center students.
Frank
Soto and his mother. The mural closes with this pair. The Sotos’ Apache
heritage reminds the viewer that this area was once Apache land. Soto’s
mother holds the same vessel seen in the beginning of the mural with the
lifeblood and spirit of the neighborhood flowing into it. This representation
not only
seals the symmetry of the mural, it also serves as a reminder of her role
as a medicine woman in the barrio.

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