Moonsign
or Carrillo and Saint Theresa - Monsignor Carrillo was a riest at a local church
who grew up in the neighborhood. His father was a vegetable vendor. He is giving
flowers as a sign of the nurturing he provided for the neighborhood. Saint
Theresa stands as a symbol of the strong faith of the neighborhood.
Coming from behind Monsignor Carrillo are the railroad tracks that run through
the neighborhood and have a direct impact on the daily lives of its residents.
The
Mariachi pictured in the mural is Melissa Sanchez. She was a participant in
the photo workshops held in the early phases of the project and she produced
this image.
Water
runs through this mural again because of the proximity of Barrio Anita to the
Rio Santa Cruz.
The
Cactus Wren pictured here feasts on Saguaro fruit. These images are a direct
representation of native elements of the Sonoran desert and are also the state
bird and state flower of the sate of Arizona.
Piman
Basket - this basket is a representation of the native cultures that lived
in this region before the settlement of Tucson.
Vivian
Colter is a third generation resident of Anita. She participated in the photo
workshops and in this image she cradles a globe, her world, Barrio Anita.
The
Blanket that drapes Vivian spills over to create the tablecloth where 100
year old Josefa Carrillo (photo by David Sanders) makes tortilla balls. This
illustrates our need fr substance and also creates a symbiotic juxtaposition
the past and future of Barrio Anita.
Mercedes
Cortez stands holding a Cottonwood tree in her hand. At the base of the tree
is a heart. From the tree a flock of birds ascend into the text that follows
on the right.
Corrido
- the text that flows is a corridor that was commissioned by the project. It
speaks of the neighborhood, how they have suffered, that they were poor, but
that they triumphed and are better.
The
mesquite tree is a common tree seen throughout the neighborhood.
Jose
Ocano is the last figure in the mural. He is a local Folklorico performer.
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